{"id":2865,"date":"2016-02-18T10:58:26","date_gmt":"2016-02-18T10:58:26","guid":{"rendered":"http:\/\/temporaryservices.org\/served\/?page_id=2865"},"modified":"2019-02-10T12:41:02","modified_gmt":"2019-02-10T12:41:02","slug":"2016-2","status":"publish","type":"page","link":"https:\/\/temporaryservices.org\/served\/2016-2\/","title":{"rendered":"2016"},"content":{"rendered":"

\"One<\/a><\/p>\n

12 publications by Temporary Services & Half Letter Press \u2014 One Year Art Book Fair, organized by Torpedo, Kunstnernes Hus, Oslo, Norway, December 7-18<\/h4>\n

We have 12 of our publications included in the December slot of this year-long book fair organized by Torpedo. It takes place in Oslo at the Kunstnernes Hus [Artists’ House].<\/p>\n

The OYABF\u00a0is a unique project that extends Torpedo\u2019s efforts to promote and distribute artists\u2019 books and small-press publications. In a series of monthly events, artists and publishers are invited to display their books, posters, projects-in-process, artworks or other exhibition material which forms part of their production. The OYABF aims to emphasise specialization and individuality, and to create a situation in which visitors can explore a complete body of work in depth.<\/p>\n

The selection of artists and publishing projects invited to OYABF have diverse strategies, interests and motivations. The art-book publisher can be an artist, a collective, a public art organisation, a small press, an art writer, an institution, a graphic designer, poet, critic or curator. Around 40 exhibitors have been invited and will be announced throughout the year. Each month\u2019s curated exhibition will be activated by parallel events, talks, discussions and presentations.<\/p>\n

Torpedo<\/a><\/strong><\/p>\n

\n

\"Rrr\u00e9plica<\/a> \"rrreplica_flier\"<\/a>\"rep_flier_2\"<\/a><\/p>\n

Temporary Services and Half Letter Press \u2014 Rrr\u00e9plica, Casa de Hijo del Ahuizote, Mexico City, December 2-4<\/h4>\n

Meeting \/ Encounter \/ Clash of Rebellious \/ Disobedient \/ Unruly Publishers \/ Printers \/ Editors \/ Duplicators.<\/p>\n

About publishing \/ To conform public space \/ To cultivate the right to dissent \/ To attend the urgency \/ To resonate.<\/p>\n

Rrr\u00e9plica is a gathering for discussion and dissemination of publishing practices of those who use electronic stencil-printing technique, known as risography or mimeographic printing.<\/p>\n

Rrr\u00e9plica’s intention is to form a space where to think about the future strategies of circulation of content using low-cost technologies such as replicable models of meaningful production. Publish as the power of sharing and cooperation. Publish to generate spaces for dialogue and transformation.<\/p>\n

\"Temporary<\/a><\/p>\n

There will be an exhibition of Temporary Services publications at Aeromoto<\/a><\/strong> held in conjunction with the book fair.<\/p>\n

Rrr\u00e9plica<\/a><\/strong><\/p>\n

\n

\"Sprint<\/p>\n

Temporary Services and Half Letter Press \u2014 SPRINT\u2014Independent Publishers and Artists\u2019 Books Salon Milano ’16, Milan, Italy, November 25-27<\/h4>\n

Join us from Friday 25th to Sunday 27th November 2016 in Milano
\nfor _\\|\/_ 4\u00b0 Edition!<\/p>\n

26~27.11 | 13.00\u201420.00 | Non-Profit Fair @ O’ in company of \u219d
\n0-100 Milano | ADAMANT\/Rada Ko\u017eelj Como | ALESSANDRO MENSI Milano | AKV Berlin | ARCHIVE BOOKS Milano\/Berlin | ATLAS PROJECTOS Lisboa\/Berlin | ATTO Milano with SUDARIO Albano di Lucania | BLAUER HASE Venezia | BLISTERZINE by NASTYNASTY\u2014Milano | BTOMIC-GHOST & TALKINASS La Spezia | CAMILLA CANDIDA DONZELLA Milano | DELEMA BOOKS with PAPER RAD New York | DIORAMA EDITIONS Milano | DOMINICA Los Angeles | DRAW DOWN New Haven | ECOCORE London | FOLDER BOOKSHOP Milano | FUZAO STUDIO Milano | GALLERIA OPULENZA with GIORGIO DI SALVO Milano | GENDA Milano\/Shanghai | GIRLS LIKE US Amsterdam | GRAM Milano | JUDITH ERWES London | KABUL Italia | KALEIDOSCOPE Milano | MAREN KARLSON Berlin | MOLLY RICHARDSON London | NERO Roma | NOBODY\u2019S BUSINESS Wandering | NUMERO 10 Paris | ORLO Ferrara\/Melfi | POMEGRANATE PRESS Philadelphia\/Orlando | PRINTED WEB by PAUL SOULELLIS New York | PUBLIC COLLECTORS Chicago | RAWRAW EDIZIONI Milano | RICOCHET.CC Buenos Aires | RORHOF Bolzano | RUMORE NERO Milano | SEAN DE COUX Eindhoven | SHELTER PRESS Rennes | SKINNERBOOX Jesi | STEFANO REBOLI Milano | STOLEN BOOKS Lisbon | SUSANNE B\u00dcRNER Berlin | TEMPORARY SERVICES\/HALF LETTER PRESS Chicago\/Aburn | TILE Milano | TLTRPre\u00df Berlin | TUNICA New York | WITTY KIWI Torino | YES I AM WRITING A BOOK Milano | YET MAGAZINE Lugano | Special Guest \u219d IDIOLETTA Milano\/Bologna\u2014Concerning Poetry and Art<\/span><\/p>\n

Saturday 26.11 | 23.00\u201404.00
\nFundraising Party HELP _\\|\/_ TO GROW
\nBALLROOM \u219d DJ SET BY ALIENI ~ ASHASHA
\n@ KO CLUB Via Resegone 1, Entry 5\u20ac<\/p>\n

26~27.11 | 11.00\u201418.00
\nRISOGRAPH WORKSHOP\u2014for selected applicants only
\nby Pierrick Br\u00e9geon and Cl\u00e9ment Rouzaud (EUROSTANDARD-CH) Assisted by Elena Radice, host by studio ATTO
\nAPPLY HERE \u219d www.sprintmilano.org\/riso<\/a><\/p>\n

26~27.11 | 13.00\u201420.00
\nSHAME TATTOO\u2014by appointment only
\nBy Camilla Candida Donzella, host by Studio Mattias Guerra
\nBOOK YOUR DATE \u219d www.sprintmilano.org\/<\/wbr>shame-tattoo<\/a><\/p>\n

————————–<\/wbr>————————–<\/wbr>————————–<\/wbr>————-
\nSPRINT _\\|\/_ Independent Publishers and Artists\u2019Books Salon \u2014Aims to involve in a crossing and sustainable way a selection of subjects and artists among the most interesting in the international independent publishing scene, featuring experiences or productions, dealing freely with different formats, languages, contents with a program that combines talks, workshops, exhibitions, performance. Every edition is extending collaborations, committed to foster people and paths. The first episode took place in Milan in 2013.<\/p>\n

An idea by O’ non profit association
\nCurated and designed by Dafne Boggeri<\/p>\n

Sprint Milano ’16<\/a><\/strong><\/p>\n

\n
\"12<\/a>

Publication #115 by Temporary Services<\/p><\/div>\n

12 Contributors, 5 Publications, 5 Years<\/h4>\n

Author: Temporary Services, Eds.; contributors: see below
\nPublisher: Chicago and Fort Wayne: Half Letter Press, 2016
\nPages: 40
\nDimensions: 5 1\/2″ x 8 1\/2″
\nCover: soft cover
\nBinding: staple bound
\nProcess: Risograph and offset
\nColor: 3 color and full color offset
\nEdition Size: 500
\nISBN: 978-0-9818023-4-3<\/p>\n

\n
\n

There is no shortage of independent artist book-making and self-publishing happening right now, but critical writing about artist books isn\u2019t keeping up with production. Can we briefly stop to think about what people are actually making, in the midst of the sea of small edition and hard to find titles? In an effort to generate more reflective and critical thought about artist books, we asked friends in the field to write about 5 titles from the last 5 years. We hope to turn this into an annual series\u2014our own attempt to capture some of what is most compelling from the scene\u2014and take stock of what recent titles are important to the people that care about this kind of work. \u2014 Temporary Services<\/p>\n<\/blockquote>\n<\/div>\n

Contributors: Banu Cennetoglu | BAS, Draw Down Books, Abdul Dube, Jen Hofer | Antena, Karin de Jong | PrintRoom, Julia Klein | Soberscove Press, Emily Larned | Impractical Labor, Antoine Lefebvre, Stephen Perkins, David Senior | MoMA Library, Eva Weinmayr | AND publishing, George Wietor | Issue Press<\/p>\n

12 Contributors, 5 Publications, 5 Years: Printed Copy at Half Letter Press<\/a><\/strong>; Archival PDF at Half Letter Press<\/a><\/strong>; Screen Resolution PDF<\/a><\/strong>; Links to all the contributors’ web sites<\/a><\/strong><\/p>\n

\n

\"Printroom\"<\/a><\/p>\n

Temporary Services & Half Letter Press publications \u2014 PrintRoom\u2019s Pick from the NY Art Book Fair\u00a02016, PrintRoom, Rotterdam, Netherlands, October 14<\/h4>\n
\n

Join us for an evening with performances, talks drinks and snacks to celebrate the harvest of this year!<\/p>\n

Friday, October 14, 7 \u2013 10 PM<\/p>\n

doors open at 7 pm, program starts at 7.30 pm<\/p>\n

*sneak sonic preview at 9.30 pm!!*<\/p>\n

PrintRoom joined the NY Art Book Fair organised by Printed Matter and hosted by MoMA Ps1, from September 11 \u2013 18 2016. It\u00a0 featured 370 booksellers, antiquarians, artists, institutions, and independent publishers from 28 countries\u2014and was attended by more than 35,000 people.<\/p>\n

Our Post Internet service was there to run an internal mail system among publishers. We attended the weekend long series of events, talks, lectures and met up with publishing friends. We looked carefully at the presented books and made a selection for PrintRoom.<\/p>\n

Books by:<\/p>\n

Soberscove Press, Rafa\u00ebl Rozendaal, 4478ZINE, Library of the Printed Web, antoine lefebvre editions, Diagonal Press, Printed Matter, The Ice Plant, Lugemik, MER. Paper Kunsthalle, Onomatopee, Fukt Magazine, Aaron Krach, Elisabeth Tonnard, DIABP, Book Works, Hato Press, Misaki Kawai, Mark Pawson, RE\/Search \/ Search and Destroy, Roma Publications, Zavod P.A.R.A.S.I.T.E, Knust \/ Extrapool, The White Review, Anouk Kruithof, Zoe Beloff, Temporary Services \/ Half Letter Press, Guerilla Girls, Primary Information, Stefan Marx, Hakuin Verlag, Martha Wilson, Research and Destroy New York City, Gato Negro, A.R.T. Press, David Horvitz, Paper Monuments, New Documents, Martha Helion, Gloria Glitzer, supersupersuper, Christine Burgin, New Directions, ao<\/p>\n

The Post Internet project is a collaboration between Eleanor Vonne Brown \/ X Marks the B\u00f6kship and Karin de Jong\/PrintRoom<\/p>\n

PrintRoom<\/a><\/strong><\/p>\n<\/div>\n

\n

\"ts_hope_2016\"<\/a><\/p>\n

Temporary Services \u2014 Critical Issues Symposium, Hope College, Holland, MI, September 28<\/h4>\n

CRITICAL ISSUES SYMPOSIUM<\/strong>
\nWHEN:<\/strong> September 28, 2:30pm
\nWHERE:<\/strong> Cook Auditorium, De Pree Art Center
\nSPONSORED BY:<\/strong> The De Pree Gallery, Hope College Art Department, & Hope College Events and Conferences<\/p>\n

TEMPORARY SERVICES is the Midwest-based COLLABORATIVE DUO, Brett Bloom and Marc Fischer. Since 1998, the artist pair has initiated SOCIAL ACTIONS, DIY PROJECTS, PUBLICATIONS AND PUBLIC INTERVENTIONS that raise awareness and create DIALOGUE ABOUT SOCIAL, ECONOMIC, ENVIRONMENTAL, AND POLITICAL INEQUALITIES. Their projects often take forms that are temporary, ephemeral, and that operate outside of conventional or officially sanctioned categories of public expression.<\/p>\n

\n

\"Detroit<\/a><\/p>\n

Temporary Services and Half Letter Press \u2014 Detroit Art Book Fair, Trinosophes, Detroit, MI, October 8 – 9<\/h4>\n

This was our first year participating in Ditto Ditto’s book fair in Detroit. We were very happy to be there and to get familiar with a bunch of publishers we had not met before.<\/p>\n

DABF<\/a><\/strong><\/p>\n

\n

\"new2016nyabf\"<\/a><\/p>\n

Temporary Services and Half Letter Press \u2014 Printed Matter’s New York Art Book Fair, PS-1\/MoMA, NY, September 16-18<\/h4>\n

We participated in the Friendly Fire section of the fair again this year. Many thanks to Max Schumann for including us.<\/p>\n

NYABF<\/a><\/strong><\/p>\n

\n

\"Fine<\/h4>\n

Half Letter Press Posters with Kione Kochi \u2014 The Fine Art of the Risograph, The Chicago Design Museum, Chicago, IL, Thursday, June 23<\/h4>\n

This is a one evening showcase of Chicago based artists that use Risographs to print their publications. This event has been organized by Hallagans Business Machines, which services Risographs and provides great support for folks in the area using the machines.<\/p>\n

When:\u00a0Thursday June 23rd
\nWhere:\u00a0108 N. State St. 3rd Floor of Block 37
\nWhen:\u00a04 – 7PM<\/p>\n

The Fine Art of the Risograph<\/a><\/strong><\/p>\n

\n
\"Framing<\/a>

Still image from parody of Bob Ross in an episode of the show Family Guy<\/p><\/div>\n

Framing The Artists: Artists & Art In Film & Television \u2014 Presentation, Swiss Institute, New York, 7:00 PM, May 4, 2016<\/h4>\n

On the\u00a0occasion of FADE IN: INT. ART GALLERY \u2013 DAY, \u00a0Temporary Services\u00a0will present a video from their 2005 project \u201cFraming The Artists: Artists & Art in Film & Television\u201d and Temporary Services group member Marc Fischer will read \u201cfilm reviews\u201d from their publication of the same name.\u201dFictional representations of art and biographical films about dead artists are common in mainstream media, despite the lack of concern with living visual artists and their projects. So what do these representations reveal to us about artists and their work?\u00a0Many depictions center on artists\u2019 unusual behavior, love affairs, or self-destruction through drugs and alcohol. Jokes about not being able to understand modern art are endless. Very few biographies of actual or fictive artists seriously attempt to consider the artist\u2019s creative process in a nuanced way. Framing The Artists is an overview of many examples of these characterizations. Our reviews are but a few examples of portrayals of artists and their work in film and television. We watched hundreds of hours of video and concede that our research barely scratched the surface.\u201d \u2014Temporary Services<\/p>\n

\"Temporary<\/a>

Download PDF<\/p><\/div>\n

Swiss Institute<\/a><\/strong><\/p>\n

\n

\"Bypass<\/a><\/h4>\n

Half Letter Press Posters with Kione Kochi \u2014 Making Use: Life in Postartistic Times, Museum of Modern Art, Warsaw, Poland, February 19 – May 1, 2016<\/h4>\n
\n

The so-called coefficient of art is present in high concentration in many realms of activity \u2014 it can be found in alternative economies, street protests, diversion advertising, food cooperatives and urban gardening, critical tourism, and the curricula of flying universities. In such cases, life is permeated by a\u00a0sensibility that is characteristic of art: a\u00a0conceptual surplus, thinking in terms of form, or endless games with imagination \u2014 political, economic, and scientific. It is not a\u00a0new phenomenon, let alone a\u00a0tendency <\/em>or style<\/em> in art.<\/p>\n

The exhibition Making Use: Life in Postartistic Times<\/em> addresses one of the fundamental postulates of twentieth-century avant-garde movements \u2014 the mutual penetration or even fusion of art and everyday life. The Polish art theorist Jerzy Ludwinski wrote in 1970s in his essay \u201cSztuka w\u00a0epoce postartystycznej\u201d [\u201cArt in the Postartistic Times\u201d], \u201cIt is highly likely that today we are no longer dealing with art. We simply overlooked the moment when it transformed into something entirely different, something that already escapes our capacity to name it. Beyond any doubt, what we are dealing with today has a\u00a0greater potential.\u201d<\/p>\n

An engagement with the status and competences of the individuals and collectives who work with what has been thus described as the postartistic age animates this exhibition. In a\u00a0world that requires a\u00a0redefinition of the individual’s obligations to the community and the new global challenges of migration, economic crisis, armed conflicts, and environmental threats \u2014 multifarious questions emerge. How can artistic competences achieve an impact on reality? Do they always have to materialize as artworks? What role can the museum play in a\u00a0situation where art radiates to non-artistic environments, and in so doing, loses the characteristics that distinguish it as art?<\/p>\n

The project “Making Use: Life in Postartistic Times” is indebted to three phenomena known from the history of twentieth century art which have remained topical and universal until the present day. The first consists in attempts to question the borders of art institutions<\/strong> with a\u00a0view to enriching the everyday with poetic qualities or pursuing the goal of a\u00a0radical social change. The second is the migration of artists from the field of art<\/strong> to other areas of reality: utopian communes, social political movements, social work \u2014 popular especially during the periods of social turbulence, such as the turn of the 1970s and the first decade of the twenty-first century. The third is the creation of new institutional environments <\/strong>beyond the scope of the traditional gallery and museum network and the art market.<\/p>\n

\n
\n

The point of departure for this exhibition is the collective writings of the theorist Stephen Wright, who postulates a\u00a0deconstruction of \u201cconceptual edifices\u201d that have provided the foundations of institutionalized art since the nineteenth century. As counter to this edifice, Wright proposes a\u00a0model of art that implements its own potential \u2014 imagination-driven and conceptual \u2014 through the process of making use. Such postulates operate on a\u00a01:1 scale, akin to a\u00a0map that begins to overlap with the actual territory that it represents. Wright is looking for strength in the weakness of art; the theorist disputes Kantian \u201cpurposeful purposelessness\u201d, the need to replicate existing systems, the rigours of ownership and authorship, and the haughtiness of so-called \u201cexpert\u201d culture.<\/p>\n

The exhibition “Making Use: Life in Postartistic Times” will develop over time, reaching its ultimate form on the closing date, May 1, 2016. The exhibition will feature reports about the activities of over seventy artists, collectives, social movements and patainstitutions from different parts of the globe: Aaron Burr Society, Adrian Kolarczyk, Andrzej Har\u0119za, Anja R\u00fcegsegger, ASMR \/ Anna, Arabian Street Artists \/ Heba Amin + Caram Kapp + Stone, At Work Collective, Biennale de Paris, Brandalism \/ Jonathan Barnbrook Studio, Brett Bloom, Brud, Bureau d’\u00e9tudes, Carlos Espinosa Arancibia, Cecylia Malik, Center for Land Use Interpretation, Center for PostNatural History, Centrum, Chris Onesto, Chto Delat \/ Nikolay Oleynikov, Compass \/ Brian Holmes + Rozalinda Borcila,\u00a0Contingent Movements Archive, Daniel Rycharski,\u00a0Debtfair, e-flux, Estar(ser) \/ Order of the Third Bird, Electronic Disturbance Theatre\/b.a.n.g. lab, Etc\u00e9tera, Feral Trade \/ Kate Rich, Forensic Architecture \/ Charles Heller + Lorenzo Pezzani, Greenpeace Polska, The Guantanamo Bay Museum of Art and History, GULF Labor, Hugo Vidal, Iconoclasistas, Institute for Human Activities, Institute for Model Nations, Isola Art Center, Janez Jan\u0161a + Janez Jan\u0161a + Janez Jan\u0161a, Jesper Alvaer, Joanna Rajkowska, Jonas Staal \/ New World Summit, Jerzy Ludwi\u0144ski, Jerzy Roso\u0142owicz,\u00a0Kamila Szejnoch, Kein mensch ist illegal, Les UX., Liberate Tate,\u00a0Loompanics Unlimited, Ludovic Chemarin \u00a9, Luther Blissett, Manual Labours \/ Sophie Hope + Jenny Richards, Museum of American Art, Museum of Arte \u00datil, Muzeum Spo\u0142eczne \/ Krzysztof \u017bwirblis, Myvillages \/ Company, N55, Niewidzialne Miasto, Ogr\u00f3d Botaniczny Uniwersytetu Warszawskiego, Omer Krieger, Peter von Tiesenhausen, Precarious Workers Brigade, Public Works, Raivo Puusemp, Reverend Billy & the Stop Shopping Choir, Robin Hood Minor Asset Management Cooperative, Rolling Jubilee Fund, Jewish Renaissance Movement in Poland, S.a.L.E Docks, Salvage Art Institute, San Precario, Shigeru Ban, Standing Man, Temporary Services, That’s Painting, Third Text \/ Rasheed Araeen, Tools for Action, W\u0142odzimierz Borowski, Zentrum f\u00fcr Politische Sch\u00f6nheit.<\/p>\n

Museum of Modern Art Warsaw<\/a><\/strong><\/p>\n

\n

\"Chicago<\/p>\n

Temporary Services & Half Letter Press \u2014 Chicago Zine Fest, April 30, 2016<\/h4>\n

Chicago Journeymen Plumbers\u2019 Local Union 130, U. A.
\nStephen M. Bailey Auditorium
\n1340 West Washington Blvd.
\nChicago, IL 60607<\/p>\n

Chicago Zine Fest<\/a><\/strong><\/p>\n

\n<\/div>\n<\/div>\n<\/div>\n

\"Open<\/a><\/h4>\n

Temporary Services & Half Letter Press \u2014 PMF VII, the Seventh Annual Publications & Multiples Fair, Baltimore, MD, April 9 -10, 2016<\/h4>\n

Open Space<\/a><\/strong><\/p>\n

\n

\"phrtbkfr\"<\/a><\/p>\n

Temporary Services & Half Letter Press \u2014 Philadelphia Art Book Fair, April 1 & 2, 2016<\/h4>\n

Marc will be at the fair on our behalf.<\/p>\n

The Philadelphia Art Book Fair is a two-day event that features a range of exhibitors from photography and art book publishers, small and large, to individual artists and institutions, as well as lectures and book signings from key artists and bookmakers.<\/p>\n

The Annex on Filbert<\/strong>
\n830 Filbert Street
\nPhiladelphia, PA 19107<\/p>\n

Presented by Philadelphia Photo Arts Center<\/a> & The Print Center<\/a><\/p>\n

Philadelphia Art Book Fair<\/a><\/strong><\/p>\n

\n

 <\/p>\n

\"la_art_book_fair_2016\"<\/a><\/p>\n

Temporary Services & Half Letter Press \u2014 Printed Matter’s LA Art Book Fair, Feburary 12-14, LA MoCA, Los Angeles<\/h4>\n

We are happy to be attending this year’s fair in Los Angeles.<\/p>\n

LA Art Book Fair<\/a><\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

12 publications by Temporary Services & Half Letter Press \u2014 One Year Art Book Fair, organized by Torpedo, Kunstnernes Hus, Oslo, Norway, December 7-18 We have 12 of our publications included in the December slot of this year-long book fair organized by Torpedo. It takes place in Oslo at the Kunstnernes Hus [Artists’ House]. The…<\/p>\n","protected":false},"author":5,"featured_media":0,"parent":0,"menu_order":6,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-2865","page","type-page","status-publish","hentry","odd"],"_links":{"self":[{"href":"https:\/\/temporaryservices.org\/served\/wp-json\/wp\/v2\/pages\/2865","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/temporaryservices.org\/served\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/temporaryservices.org\/served\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/temporaryservices.org\/served\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/temporaryservices.org\/served\/wp-json\/wp\/v2\/comments?post=2865"}],"version-history":[{"count":1,"href":"https:\/\/temporaryservices.org\/served\/wp-json\/wp\/v2\/pages\/2865\/revisions"}],"predecessor-version":[{"id":4379,"href":"https:\/\/temporaryservices.org\/served\/wp-json\/wp\/v2\/pages\/2865\/revisions\/4379"}],"wp:attachment":[{"href":"https:\/\/temporaryservices.org\/served\/wp-json\/wp\/v2\/media?parent=2865"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}