{"id":2331,"date":"2015-03-25T05:16:13","date_gmt":"2015-03-25T05:16:13","guid":{"rendered":"http:\/\/temporaryservices.org\/served\/?page_id=2331"},"modified":"2015-03-25T07:23:35","modified_gmt":"2015-03-25T07:23:35","slug":"reading-material","status":"publish","type":"page","link":"https:\/\/temporaryservices.org\/served\/publishing-2\/reading-material\/","title":{"rendered":"Reading Material"},"content":{"rendered":"

Introductory Reading Material:
\n<\/strong><\/h4>\n

AGAINST COMPETITION<\/a>\u00a0by Marc Fischer<\/p>\n

ART & REALITY<\/a> by N55<\/p>\n

CONCRETE SOCIAL INTERVENTIONS INTERVIEW<\/a> with Pascale Jeann\u00e8e of the artists’ group WochenKlausur<\/p>\n

CONSTITUTIVE UTOPIAS: SOUND, PUBLIC SPACE AND URBAN AMBIENCE<\/a> by Ultra-Red<\/p>\n

FROM TACTICAL MEDIA TO DIGITAL MULTITUDES, A VIRTUAL WORLD IS POSSIBLE<\/a> by Lovink and Schneider<\/p>\n

MAKING ART IN GROUPS, COUPLES AND OTHER CONFIGURATIONS<\/a> by Brett Bloom<\/p>\n

PUBLIC ART<\/a> a lecture by Julie Ault<\/p>\n

RADICAL SPACE FOR ART IN A TIME OF FORCED PRIVATIZATION AND MARKET DOMINANCE<\/a> by Brett Bloom<\/p>\n

SOCIAL AESTHETICS<\/a> by Lars Bang Larsen<\/p>\n

SOME CALL IT ART: FROM IMAGINARY AUTONOMY TO AUTONOMOUS COLLECTIVITY<\/a> by Greg Sholette<\/p>\n

THEORY OF THE DERIVE<\/a> by Guy Debord<\/p>\n

UNTIL IT’S GONE: TAKING STOCK OF CHICAGO’S MULTI-USE CENTERS<\/a> by Nato Thompson<\/p>\n

A USER’S GUIDE TO DETOURNEMENT<\/a> by Guy Debord & Wolman<\/p>\n

\n

Special thanks to Gregory T. Strella for all of his help on the bibliographies below. They can all be downloaded together here: \"orange_folder\"<\/a>
\n<\/em><\/p>\n

\n

BIBLIOGRAPHY FROM OUR MOBILE SIGN SYSTEMS<\/em> BOOKLET (compiled in 1999):<\/strong><\/h4>\n

ABC No Rio Dinero: The Story of a Lower East Side Art Gallery<\/span>. Miller, Marc, and Alan Moore, eds. New York: ABC No Rio and Collaborative Projects, 1985.<\/p>\n

Allocations: Art for a Natural and Artificial Environment<\/span>. Brand, Jan, et al, eds. Zoetermeer, Netherlands: Foundation World Horticulture\/Exhibition Floriade, 1992.<\/p>\n

America’s Finest?<\/span> Hock, Louis, Scott Kessler, Elizabeth Sisco, and Deborah Small. Self-published, 1991.<\/p>\n

Art and the Public Sphere<\/span>. Mitchell, W.J.T., ed. Chicago: The University of Chicago Press, 1992.<\/p>\n

Art Can See<\/span>. Levine, Les. Germany: Cantz, 1997.<\/p>\n

The Art of Light and Space<\/span>. Butterfield, Jan. New York City: Abbeville, 1993.<\/p>\n

Art, Space and the City: Public Art and Urban Futures<\/span>. Miles, Malcolm. London: Routledge, 1997. ><\/p>\n

Artists Handbooks: Art in Public — What, Why and How<\/span>. Jones, Susan, ed. Sunderland, United Kingdom: AN Publications, 1992.<\/p>\n

Culture in Action: Sculpture Chicago<\/span>. Jacobs, Mary Jane. Seattle: Bay Press, 1995.<\/p>\n

Dan Graham: Buildings and Signs<\/span>. Chicago: The Renaissance Society at the University of Chicago, 1981.<\/p>\n

Democracy: A Project by Group Material<\/span>. Wallis, Brian, ed. Seattle: Bay Press, 1990.<\/p>\n

Evictions: Art and Spatial Politics<\/span>. Deutsche, Rosalyn. Cambridge, MA: The MIT Press, 1996.<\/p>\n

Get the Message? A Decade of Art For Social Change<\/span>. Lippard, Lucy R. New York City: E.P. Dutton, 1984.<\/p>\n

Gordon Matta-Clark: A Retrospective<\/span>. Jacob, Mary Jane. Chicago: Museum of Contemporary Art, 1985.<\/p>\n

Grand Street<\/span>. Issue #53 (“Fetishes”). Summer 1995.<\/p>\n

“Icons and Interventions in Chicago and the Potential of Public Art.” Hixson, Kathryn. Sculpture<\/span> May\/June 1998: 46- 51.<\/p>\n

In and Out of Place: Contemporary Art and the American Social Landscape<\/span>. Fairbrother, Trevor, and Kathryn Potts. Boston: Museum of Fine Arts, 1993.<\/p>\n

inSITE94: A Binational Exhibition of Installation and Site-Specific Art<\/span>. Yard, Sally, ed. San Diego, CA: Installation Gallery, 1995.<\/p>\n

Jamming the Media<\/span>. Branwyn, Gareth. San Francisco: Chronicle Books, 1997.<\/p>\n

“Kelly Girl’s Good Job.” Girl, Kelly. Processed World<\/span> #26\/27, Summer 1991.<\/p>\n

Land and Environmental Art<\/span>. Kastner, Jeffrey, ed. London: Phaidon Press, 1998.<\/p>\n

Mapping the Terrain: New Genre Public Art<\/span>. Lacy, Suzanne, ed. Seattle: Bay Press, 1995.<\/p>\n

Die Offene Bibliothek\/ The Open Public Library <\/span> . Clegg & Guttmann. Germany: Cantz, 1994.<\/p>\n

Place Makers<\/span>. Fleming, Ronald Lee, and Renata von Tscharner. Boston: Harcourt Brace Jovanovich, 1987.<\/p>\n

Points of Entry: Three Rivers Arts Festival<\/span>. Martinez, Daniel J., ed. Pittsburgh: Three Rivers Arts Festival, 1997.<\/p>\n

RE\/Search #11: Pranks!<\/span> Juno, Andrea and V. Vale, eds. San Francisco: RE\/Search Publications, 1987.<\/p>\n

Scott Burton<\/span>. Richardson, Brenda. Baltimore: The Baltimore Museum of Art, 1986.<\/p>\n

Sign Language – Street Signs as Folk Art<\/span>. Baeder, John. New York City: Harry N. Abrams, 1996.<\/p>\n

Six Years: The Dematerialization of the Art Object<\/span>. Lippard, Lucy R. Berkeley, CA: University of California Press, 1973.<\/p>\n

The Subversive Imagination: Artists, Society, & Social Responsibility<\/span>. Becker, Carol, ed. New York City: Routledge, 1994.<\/p>\n

Theory of the D\u00e9rive and Other Situationist Writings on the City<\/span>. Andreotti, Libero, and Xavier Costa, eds. Barcelona: ACTAR and the Museu d’Art Contemporani de Barcelona, 1996.<\/p>\n

Time and Space Concepts in Art<\/span>. Belford, Marilyn, and Jerry Herman, eds. New York City: Pleiades Gallery, 1980.<\/p>\n

Tiny Tiny Houses<\/span>. Walker, Lester. Woodstock, NY: The Overlook Press, 1987.<\/p>\n

Welcome to America’s Finest Tourist Plantation<\/span>. Avalos, David, Louis Hock, and Elizabeth Sisco. Self-published, 1988.<\/p>\n

Whitewalls<\/span>. Issue #36 (“Local Options”). Winter 1996.<\/p>\n

Whose Art Is It?<\/span> Kramer, Jane. Durham, NC: Duke University Press, 1994.<\/p>\n

\n

CRITICAL MASS: AN ACTIVIST ART BIBLIOGRAPHY<\/h4>\n

Introduction<\/span><\/p>\n

This list was originally compiled by Alan Moore in 2002. It is a bibliography based on reference materials that were made available to visitors to the exhibition Critical Mass<\/span>, a group show curated that year by Stephanie Smith for the Smart Museum of Art in Chicago.<\/p>\n

The reference materials were collected by Smith and the artists in Critical Mass<\/span>. Where possible, Moore noted which artist or group suggested each item. The artists and groups in the exhibition were Wendy Jacob and Laurie Palmer, Robert Peters, Gregory Sholette, and Temporary Services.<\/p>\n

In 2002, Alan Moore submitted this bibliography to the InterActivist Info Exchange, a reader-led website that offers news and analysis. His version is viewable at \u00a0info.interactivist.net\u00a0<\/a><\/p>\n

From Moore:<\/p>\n

\u201cMaterials in this bibliography are organized in alphabetical order in four groupings: Books, Articles\/Book Selections, Journals\/Booklets, and Web Resources. All are coded according to four broad categories that loosely organize the conceptual framework of the reading area:<\/p>\n

C\/I=Conceptual Art and Institutional Critique \u2014sources dealing with artistic practices that have taken place within institutions such as museums and that have consciously sought to question institutional assumptions<\/p>\n

A\/PA=Activism and Public Art \u2014sources on artists who routinely eschew the museum or have sought to alter it, as well as artists who adopt the public sphere as a site for artistic practice<\/p>\n

CP=Chicago Practice \u2014sources that specifically document a history of activities by Chicago-based artists<\/p>\n

MISC=Other Materials Related to the Projects \u2014sources that informed, directly or indirectly, the processes of Critical Mass artists<\/p>\n

The bibliography gives particular emphasis to art practices, criticism and theoretical explorations in the United States, with an extensive focus on Chicago…\u201d<\/p>\n

For this 2006 update, we have rearranged the entries in the Books and Articles section to reflect the categories that Moore noted. All of the books and articles from newspapers, magazines, and journals, are separated by category. Additionally, we have chosen to use the title of each book or article to lead our alphabetization, rather than alphabetize by author. Where possible, new publication information is supplied. The web resources section is also updated to update the new locations of many of the original links.<\/p>\n

BOOKS & ARTICLES<\/h4>\n

C\/I=Conceptual Art and Institutional Critique<\/p>\n

\u201cActing the Icon, Indexing the Body.\u201d Klein, Jennie. New Art Examiner<\/span> September 1998: 27-31.<\/p>\n

\u201cAesthetic Evangelists: Conversion and Empowerment in Contemporary Community Art.\u201d Kester, Grant. Afterimage<\/span> January 1995: 5-11.<\/p>\n

\u201cAesthetics after the end of art.\u201d Kester, Grant. Art Journal<\/span> Spring 1997: 38-45.<\/p>\n

The Aesthetics of Power: Essays in Critical Art History<\/span> . Duncan, Carol. New York: Cambridge University Press, 1993. (Sholette)<\/p>\n

\u201cAll Together Now, Global Conceptualism: Points of Origin, 1950s-1980s.\u201d Hixson, Kathryn. New Art Examiner<\/span> September 1999: 32-35, 77.<\/p>\n

The Anti-Aesthetic: Essays on Postmodern Culture<\/span> . Foster, Hal, ed. New York: New Press, 1983. (Sholette)<\/p>\n

Art Into Ideas: Essays on Conceptual Art<\/span> . Morgan, Robert C. New York: Cambridge University Press, 1996.<\/p>\n

Beyond Recognition: Representation, Power, and Culture<\/span> . Owens, Craig. Berkeley, CA: University of California Press, 1992.<\/p>\n

Blasted Allegories: An Anthology of Writings by Contemporary Artists<\/span> . Wallis, Brian, ed. Cambridge, MA: MIT Press, 1987. (TS)<\/p>\n

Civilizing Rituals: Inside Public Art Museums<\/span> . Duncan, Carol. London: Routledge, 1995.<\/p>\n

Conceptual Art<\/span> . Meyer, Ursula. New York: Dutton, 1972.<\/p>\n

Conceptual Art: A Critical Anthology<\/span>. Alberro, Alexander, and Blake Stimson. Cambridge, MA: MIT Press, 1999.<\/p>\n

\u201cConceptual Art 1962-1969: From the Aesthetic of Administration to the Critique of Institutions.\u201d Buchloh, Benjamin H. D. October<\/span> Winter 1991: 105-43.<\/p>\n

The Condition of Postmodernity: An Enquiry into the Origins of Cultural Change<\/span> . Harvey, David. Cambridge, MA: Blackwell, 1989. (Sholette)<\/p>\n

The Cult of the Avant-Garde Artist<\/span> . Kuspit, Donald. New York: Cambridge University Press, 1993.<\/p>\n

Deep Storage: Collecting, Storing and Archiving Art<\/span> . Schaffner, Ingrid and Matthias Winzen, eds. New York: Prestel, 1998.<\/p>\n

Dialectic of Enlightenment<\/span> . Horkheimer, Max, and Theodore W. Adorno. New York: Continuum, 1972. (Sholette)<\/p>\n

Empire<\/span>. Hardt, Michael, and Antonio Negri. Cambridge, MA: Harvard University Press, 2001. (Palmer; Sholette)<\/p>\n

\u201cFluxus: Now You See It, Now You Don\u2019t. Perhaps You Never Will (part 1).\u201d Donato, Debora Duez. Dialogue<\/span> January\/February 1994: 8-11.<\/p>\n

\u201cFluxus: Now You See It, Now You Don\u2019t. Perhaps You Never Will (part 2).\u201d Donato, Debora Duez. Dialogue<\/span> May\/June1994: 16-18.<\/p>\n

\u201cFor Our Own Good.\u201d Kester, Grant. New Art Examiner<\/span> April 1998: 16-17.<\/p>\n

Global Conceptualism: Points of Origin, 1950s-1980s<\/span> . Camnitzer, Luis, Jane Farver, and Rachel Weiss, eds. New York: Queens Museum of Art, 1999. (Sholette)<\/p>\n

Inside the White Cube: The Ideology of the Gallery Space<\/span> . O\u2019Doherty, Brian. Berkeley, CA: University of California Press, 2000.<\/p>\n

\u201cInterview: Jenny Holzer.\u201d Hixson, Kathryn. New Art Examiner<\/span> September 1999: 16-20.<\/p>\n

Land and Environmental Art<\/span> . Kastner, Jeffrey, and Brian Wallis. London: Phaidon, 1998. (Palmer)<\/p>\n

Longing and Belonging: From the Faraway Nearby<\/span> . Abel, David, ed. Santa Fe: SITE Santa Fe, 1995.<\/p>\n

Mining the Museum: An Installation by Fred Wilson<\/span> . Corrin, Lisa G., ed. New York: New Press, 1994. (Sholette)<\/p>\n

The Museum as Muse: Artists Reflect<\/span> . McShine, Kynaston. New York: Museum of Modern Art, 1999.<\/p>\n

Die Offene Bibliothek\/ The Open Public Library <\/span>. Clegg and Guttman. Stuttgart, Germany: Cantz, 1994. (TS)<\/p>\n

On the Museum\u2019s Ruins<\/span> . Crimp, Douglas. Cambridge, MA: MIT Press, 1993.<\/p>\n

On the Passage of a Few People Through a Rather Brief Moment in Time: the Situationist International, 1957-1972<\/span> . Sussman, Elizabeth, ed. Cambridge, MA: MIT Press, 1989.<\/p>\n

\u201cOne Place After Another: Notes on Site Specificity.\u201d Kwon, Miwon. October<\/span> Spring 1997: 85-110.<\/p>\n

Postmodernism, or, the Cultural Logic of Late Capitalism<\/span> . Jameson, Fredric. Durham, NC: Duke University Press, 1991. (Sholette)<\/p>\n

The Power of Display: A History of Exhibition Installations at the Museum of Modern Art<\/span> . Staniszewski, Mary Anne. Cambridge, MA: MIT Press, 1998.<\/p>\n

PR \u201800: Par\u00e9ntesis en la Ciudad<\/span> . Marxuach, Michy, et al, eds. San Juan, PR: M&M Proyectos, 2001. (TS)<\/p>\n

The Return of the Real: The Avant-Garde at the End of the Century<\/span> . Foster, Hal. Cambridge, MA: MIT Press, 1996.<\/p>\n

Situationist International Anthology<\/span> . Knabb, Ken, ed. and trans. Berkeley, CA: Bureau of Public Secrets, 1981. (Sholette, TS)<\/p>\n

Six Years: The Dematerialization of the Art Object from 1966 to 1972<\/span> . Lippard, Lucy. New York: Praeger, 1973. (TS)<\/p>\n

The Society of the Spectacle<\/span> . Debord, Guy. Donald Nicholson-Smith, trans. New York: Zone Books, 1995. (Sholette)<\/p>\n

Space Site Intervention: Situating Installation Art<\/span> . Suderberg, Erika, ed. Minneapolis: University of Minnesota Press, 2000.<\/p>\n

\u201cSpeed the Plow: 10 Years With the Hirsch Farm Project.\u201d Swartz, Mark. New Art Examiner<\/span> April 1999: 35-38.<\/p>\n

The Subversive Imagination: Artists, Society, and Social Responsibility<\/span>. Becker, Carol, ed. New York: Routledge, 1994.<\/p>\n

\u201cSurvival Strategies: Gearing Up for Autarkic Communities or the Post-Political Society?\u201d Spaid, Sue. New Art Examiner<\/span> November\/December 2001: 58-65.<\/p>\n

Theater of the Oppressed<\/span> . Boal, Augusto. London: Pluto Press, 1979. (TS)<\/p>\n

Theory of the Avant-Garde<\/span> . B\u00fcrger, Peter. Michael Shaw, Trans. Minneapolis: University of Minnesota Press, 1984.<\/p>\n

Theory of the D\u00e9rive and Other Situationist Writings on the City<\/span>. Andreotti, Libero, and Xavier Costa, eds. Barcelona: ACTAR and the Museu d\u2019Art Contemporani de Barcelona, 1996. (TS)<\/p>\n

\u201cThe Timetable Project.\u201d Leo, Vincent. Organizing Artists: A Document and Directory of the National Association of Artists Organizations<\/span>. Washington, DC: National Association of Artists Organizations, 1992.<\/p>\n

Die Toten (1967-1993)<\/span> . Feldmann, Hans-Peter. Dusseldorf: Feldmann Verlag, 1998. (TS)<\/p>\n

\u201cWhat\u2019s Intangible, Transitory, Mediating, Participatory, and Rendered in the Public Sphere?\u201d Fraser, Andrea. October<\/span> Spring 1997: 111-116.<\/p>\n

A\/PA=Activism and Public Art<\/p>\n

ABC No Rio Dinero: The Story of a Lower East Side Art Gallery<\/span> . Moore, Alan, and Marc H. Miller. New York: ABC No Rio and Collaborative Projects, 1985. (Sholette)<\/p>\n

Anarchy!: An Anthology of Emma Goldman\u2019s Mother Earth<\/span> . Glassgold, Peter, ed. New York: Counterpoint Press, 2001. (TS)<\/p>\n

Art, Activism, and Oppositionality: Essays from Afterimage<\/span> . Kester, Grant, ed. Durham, NC: Duke University Press, 1998. (Sholette)<\/p>\n

Art in the Public Interest<\/span> . Raven, Arlene, ed. New York: Da Capo Press, 1989. (Sholette)<\/p>\n

The Artist in Society: Rights, Roles, and Responsibility<\/span>. Acker, Kathy, Carol Becker, and Ann Wiens, eds. Chicago: Chicago New Art Association and New Art Examiner Press, 1995.<\/p>\n

But is it Art?: The Spirit of Art as Activism<\/span> . Felshin, Nina, ed. Seattle: Bay Press, 1995. (Sholette)<\/p>\n

The Citizen Artist: 20 Years in the Public Arena: An Anthology from High Performance Magazine 1978-98<\/span> . Burnham, Linda Frye, and Steven Durland, eds. Gardiner, NY: Critical Press, 1998.<\/p>\n

\u201cCommentary: The Problem with Puerilism.\u201d Owens, Craig. Art in America<\/span> Summer 1984: 162-163.<\/p>\n

Commodify Your Dissent: Salvos from The Baffler<\/span> . Frank, Thomas, and Matt Weiland, eds. New York: Norton, 1992. (TS)<\/p>\n

\u201cConcrete Crisis: Urban Images of the 80s.\u201d Trend, David. Afterimage<\/span> Summer 1987: 26-27.<\/p>\n

The Contemporary Picturesque<\/span> . Norman, Nils. London: Book Works, 1998. (TS)<\/p>\n

\u201cCounting on Your Collective Silence: Notes on Activist Art as Collaborative Practice.\u201d Sholette, Gregory. Afterimage<\/span> November\/December 1999.<\/p>\n

\u201cCritical Situation.\u201d Moore, Alan. International Review of African American Art<\/span> 1999: 55-57.<\/p>\n

Cultural Economies: Histories from the Alternative Arts Movement, NYC<\/span>. Ault, Julie, and Thomas Lawson. New York: Real Life Magazine and The Drawing Center, 1996. (Sholette)<\/p>\n

\u201cThe Death of Public Art.\u201d Allen, Austin. Dialogue<\/span> May\/June 1991: 3.<\/p>\n

Democracy: A Project by Group Material<\/span> . Wallis, Brian. Seattle: Bay Press, 1990. (Sholette, TS)<\/p>\n

Design Outlaws on the Ecological Frontier<\/span> . Zelov, Chris, ed. New York: The Knossus Project, 2000. (TS)<\/p>\n

Dialogues in Public Art<\/span> . Finkelpearl, Tom. Cambridge, MA: MIT Press, 2000.<\/p>\n

A Different War: Vietnam in Art<\/span> . Lippard, Lucy. Bellingham, WA: Real Comet Press and Whatcom Museum of History and Art, 1990. (Sholette)<\/p>\n

Eco-Pioneers: Practical Visionaries Solving Today\u2019s Environmental Problems<\/span> . Lerner, Steve, ed. Cambridge, MA: MIT Press, 1997. (TS)<\/p>\n

Eviction: Art and Spatial Politics<\/span> . Deutsche, Rosalyn. Cambridge, MA: MIT Press, 1998. (Palmer, Sholette)<\/p>\n

Fair Use: The Story of the Letter U and the Numeral 2<\/span> . Negativland. Concord, CA: Seeland, 1995. (TS)<\/p>\n

Free Exchange<\/span> . Bourdieu, Pierre, and Hans Haacke. Stanford, CA: Stanford University Press, 1995. (Sholette)<\/p>\n

Get the Message? A Decade of Art for Social Change<\/span> . Lippard, Lucy. Seattle: Bay Press, 1990. (Sholette)<\/p>\n

If You Lived Here: The City in Art, Theory, and Social Activism<\/span> . Rosler, Martha, and Brian Wallis, eds. Seattle: Bay Press; New York: New Press, 1991. (Sholette)<\/p>\n

\u201c\u2018 Images of Labor\u2019 serves up art and soup.\u201d Knauer, Lisa Maya. The New York Times<\/span> 14 August 1998.<\/p>\n

The Lower Manhattan Sign Project: June 27, 1992-June 30, 1993<\/span> . REPOhistory. New York: REPOhistory, 1992. (Sholette)<\/p>\n

The Lure of the Local: Senses of Place in a Mulitcentered Society<\/span> . Lippard, Lucy. New York: New Press, 1997. (Sholette)<\/p>\n

Mapping the Terrain: New Genre Public Art<\/span> . Lacy, Suzanne, ed. Seattle: Bay Press, 1995. (Sholette)<\/p>\n

Mobile Vulgus<\/span> . Nold, Christian. London: Book Works, 2001.<\/p>\n

No Logo: Taking Aim at the Brand Bullies<\/span> . Klein, Naomi. New York: Picador, 2000. (TS)<\/p>\n

No Trespassing!: Squatting, Rent Strikes, and Land Struggles Worldwide<\/span> . Corr, Anders. Cambridge, MA: South End Press, 1999. (TS)<\/p>\n

\u201cObservations on Collective Cultural Actions.\u201d Critical Art Ensemble. Art Journal<\/span> 1998: 73-85.<\/p>\n

\u201cOn Artists, Audiences and Censorship.\u201d Anderson, Laurie. Dialogue<\/span> September\/October 1993: 12-13.<\/p>\n

One Place After Another: Site-Specific Art and Locational Identity<\/span> . Kwon, Miwon. Cambridge, MA: MIT Press, 2002. (Palmer)<\/p>\n

The Pink Glass Swan: Selected Essays on Feminist Art<\/span> . Lippard, Lucy. New York: New Press, 1995. (Sholette)<\/p>\n

The Power of Place: Urban Landscapes as Public History<\/span> . Hayden, Dolores. Cambridge, MA: MIT Press, 1995. (Sholette)<\/p>\n

Pranks!<\/span>. J uno, Andrea, and J. G. Ballard. San Francisco: Re\/Search Publishing, 1987. (TS)<\/p>\n

\u201cPublic Art: Avant-garde practice and the possibilities of critical articulation.\u201d Glahn, Philip. Afterimage<\/span> November\/December 2000: 10-12.<\/p>\n

\u201cPublic Art in Public Housing.\u201d McCarty, Anne. Dialogue<\/span> May\/June 1996: 17-19.<\/p>\n

\u201cPublic Interventions, ICA, Boston.\u201d Phillips, Patricia. Public Art Review<\/span> Fall\/Winter 1994: 27.<\/p>\n

Public Secrets, Collected Skirmishes of Ken Knabb: 1970\u00ad1997<\/span> . Knabb, Ken. Berkeley, CA: Bureau of Public Secrets, 1997.<\/p>\n

Public Sphere and Experience: Toward an Analysis of the Bourgeois and Proletarian Public Sphere<\/span> . Negt, Oskar, and Alexander Kluge. Minneapolis: University of Minnesota Press, 1993. (Sholette)<\/p>\n

Queers in Space: Communities, Public Places, Sites of Resistance<\/span> . Bouthillette, Anne-Marie, Gordon Brent Ingram, and Yolanda Retter, eds. Seattle: Bay Press, 1997. (TS)<\/p>\n

\u201cREPOhistory: The Anatomy of an Activist Urban Art Project.\u201d Sholette, Gregory. New Art Examiner<\/span> November 1999.<\/p>\n

\u201cREPOhistory\u2019s Circulation: The Migration of Public Art on the Internet.\u201d Costanzo, Jim. Art Journal<\/span> Winter 2000: 32-37.<\/p>\n

\u201cRethinking the Public Sphere: A Contribution to the Critique of Actually Existing Democracy .\u201d Fraser, Nancy. Habermas and the Public Sphere (Studies in Contemporary German Social Thought)<\/span>. Ed. Craig Calhoun. Cambridge, MA: MIT Press, 1993. 109-142. (Sholette) Site-Specificity: The Ethnographic Turn<\/span> . Coles, Alex, ed. London: Black Dog Publishing, 2001.<\/p>\n

\u201cSniper\u2019s Nest\u201d Lippard, Lucy. Z Magazine<\/span> December 1992: 63-66.<\/p>\n

\u201cSome Call it Art: From Imaginary Autonomy to Autonomous Collectivity.\u201d Sholette, Gregory. D\u00fcrfen die das? Kunst als sozialer Raum. Eds. Stella <\/span>Rollig and Eva Sturm. Wien, Austria: Verlag, Turia & Kant, 2002.<\/p>\n

The Structural Transformation of the Public Sphere: An Inquiry into a Category of Bourgeois Society<\/span> . Habermas, Jurgen. Cambridge, MA: MIT Press, 1989. (Sholette)<\/p>\n

WochenKlausur: Sociopolitical Activism in Art<\/span> . Zinggl, Wolfgang. New York: Springer, 2001.<\/p>\n

CP=Chicago Practice<\/p>\n

\u201cAlternative Exhibition Sites\/Non-Sites.\u201d Wiens, Ann. New Art Examiner<\/span> May 1998: 42-43.<\/p>\n

\u201cArt at the Armory: Occupied Territory 13 September 1992- 23 January 1993.\u201d Mathews, Stanley. Dialogue<\/span> January\/February 1993: 12-14.<\/p>\n

Art in Chicago 1945-1995<\/span> . New York: Thames and Hudson, 1996.<\/p>\n

\u201c Artists Getting into Gear.\u201d Palmer, Laurie. Dialogue<\/span> January\/February 1996: 10-11.<\/p>\n

\u201cCapricious at Best: An Essay about the Relationship between Art and Life.\u201d Girson, Matthew. New Art Examiner<\/span> November 2000: 30-35.<\/p>\n

\u201cChicago as a Home for Visual Artists.\u201d Malone, Victoria, and Michael Piazza. New Art Examiner<\/span> May 1998: 24-27.<\/p>\n

\u201cChicago 1999: The Sound of Progress.\u201d Swartz, Mark. New Art Examiner<\/span> May 1999: 32-34.<\/p>\n

\u201cChicago\u2019s Last Five Minutes of Art History: There\u2019s Something Funny Going On.\u201d Bulka, Michael. New Art Examiner<\/span> October 1998: 16-19.<\/p>\n

\u201cChristine Tarkowski.\u201d Estep, Jan. New Art Examiner<\/span> June 1998: 43.<\/p>\n

\u201cConcentric Circles.\u201d Tormollan, Carole. High Performance<\/span> Spring\/Summer 1995: 54-59.<\/p>\n

Conversations at the Castle: Changing Audiences and Contemporary Art<\/span> . Jacob, Mary Jane, and Michael Brenson, eds. Cambridge, MA: MIT Press, 1998.<\/p>\n

\u201cCounter-Proposals: Adaptive Approaches to a Built Environment.\u201d Grisham, Esther. Dialogue January\/February 1992: 12-13.<\/p>\n

Culture in Action: A Public Art Program of Sculpture Chicago<\/span> . Jacob, Mary Jane, and Michael Brenson. Seattle: Bay Press, 1995. (Sholette)<\/p>\n

\u201cCulture in Action: New Public Art in Chicago.\u201d Tormollan, Carole. High Performance<\/span> Spring 1994: 50-57.<\/p>\n

\u201c\u2018Curator\u2019s Choice: Installations for new spaces\u2019\/Chicago Cultural Center\/17 October-28 December.\u201d Donato, Debora Duez. Dialogue<\/span> March\/April 1992: 21-22.<\/p>\n

\u201cDan Peterman.\u201d Cavallero, Janet. New Art Examiner October 1997: 39.<\/p>\n

\u201cDan Peterman\/N.A.M.E.\/10 Spetember-22 October.\u201d Postiglione, Corey. Dialogue <\/span>November\/December 1992: 20.<\/p>\n

\u201cDan Peterman: Recycle, Reuse, Resurrect.\u201d Hixson, Kathryn. New Art Examiner<\/span> October 2000: 26-29, 66.<\/p>\n

Dan Peterman: 7 Deadly Sins and Other Stories<\/span> . Berg, Stephan and Gregory Sholette. Hannover, Germany: Kunstverein Hannover, 2001.<\/p>\n

\u201cDeath is not an Alternative: Being and Nothingness in the Art World of the Nineties.\u201d Porges, Timothy. Dialogue<\/span> May\/June 1997: 11.<\/p>\n

\u201cDispensing with Formalities \/Various Locations\/Ongoing, Beginning August 1997.\u201d Murphy, Mary. Dialogue<\/span> September\/October 1997: 20.<\/p>\n

\u201cDrawn Out: Temporary Services.\u201d Kryza, Darlene. New Art Examiner<\/span> September 2000.<\/p>\n

Ecologies: Mark Dion, Peter Fend, Dan Peterman<\/span> . Smith, Stephanie. Chicago: Smart Museum of Art at University of Chicago Press, 2001.<\/p>\n

\u201cEmerging Artists Look to Alternatives.\u201d Stein, Lisa. Chicago Tribune<\/span> 13 May 2001.<\/p>\n

\u201cFGA is: More Comfortable and Better at Dogmatic.\u201d Marsh, Julia. New Art Examiner<\/span> May\/June 2001: 85.<\/p>\n

\u201cFidelity, Betrayal, Autonomy: Within and Beyond the Post Cold-War Art Museum.\u201d Sholette, Gregory. Beyond The Box: Diverging Curatorial Practices<\/span>. Ed. Melanie A. Townsend. Banff, Canada: Banff Centre Press, 2003. 123-138.<\/p>\n

\u201cFree For All.\u201d Thompson, Nato. New Art Examiner<\/span> May 2000: 50-51.<\/p>\n

\u201cFreedom Wall.\u201d Snodgrass, Susan. Dialogue<\/span> January\/February 1995: 12-13.<\/p>\n

\u201cGoat Island.\u201d Bailes, Sara-Jane. New Art Examiner<\/span> July\/August 2001: 43-49, 101.<\/p>\n

\u201cHelidon Gjergji: Temporary Services.\u201d Grabner, Michele. New Art Examiner<\/span> September\/October 2001: 95-96.<\/p>\n

\u201cIn and Out.\u201d Murphy, Mary. Dialogue<\/span> May\/June 1996: 16.<\/p>\n

\u201cIn With the Out Crowd.\u201d Porges, Timothy. Dialogue<\/span> May\/June 1996: 14-15.<\/p>\n

\u201cLetter From Chicago: February 1999.\u201d Snodgrass, Susan. C Magazine<\/span> February\/April 1999: 35.<\/p>\n

\u201cMeasuring Alternative Culture.\u201d Grabner, Michele. New Art Examiner<\/span> September\/October 2001: 29.<\/p>\n

\u201c1998: New Artists in Chicago.\u201d Grabner, Michele. New Art Examiner<\/span> October 1998: 45.<\/p>\n

\u201cOn Site: Randolph Street Gallery.\u201d Hixson, Kathryn. New Art Examiner<\/span> September 2000: 50-51.<\/p>\n

\u201cPerformance Anxiety.\u201d Haywood, Robert. New Art Examiner<\/span> September 1997: 51.<\/p>\n

\u201cPublic Domain: Bicycle Thieves in Chicagoland.\u201d Erickson, Karl. New Art Examiner<\/span> October 1998: 39-40.<\/p>\n

\u201cRegionalism\u2019s Last Gasp: Art in Chicago, 1945-1995.\u201d Postiglione, Corey. Dialogue<\/span> January\/February 1997: 14-17.<\/p>\n

\u201cRewind.\u201d Wiens, Ann. New Art Examiner<\/span> June 1999: 60.<\/p>\n

\u201cSite Specificity and the Problematics of Public Art: Recent Transformations at the Intersection of Art and Architecture. (Ph.D. dissertation).\u201d Kwon, Miwon. Princeton, NJ: Princeton University\u2019s School of Architecture, 1998.<\/p>\n

\u201cSpeakeasy.\u201d Pounds, Jon. New Art Examiner<\/span> April 1999: 16-17.<\/p>\n

\u201cUncomfortable Times Breed Uncomfortable Spaces.\u201d Snodgrass, Susan. Dialogue<\/span> September\/October 1992: 10-11.<\/p>\n

\u201cUntil It\u2019s Gone: Taking Stock of Chicago\u2019s Multi-Use Centers.\u201d Thompson, Nato. New Art Examiner<\/span> March\/April 2002: 47-53.<\/p>\n

\u201cThe Whole World is Still Watching.\u201d Palmer, Laurie. Artforum<\/span> November 1998: 152.<\/p>\n

\u201cWhy I \u2018Got Off the Fence\u2019 and Became An Arts Political Activist.\u201d Tresser, Thomas. Dialogue<\/span> March\/April 1993.<\/p>\n

\u201cWork: Gallery 312.\u201d Purcell, Greg. New Art Examiner<\/span> December\/January 2000\/2001: 46.<\/p>\n

\u201cThe Work of Temporary Services.\u201d Brunetti, John. Dialogue<\/span> May\/June 2000: 36-38.<\/p>\n

\u201c(Yet) Another Kind of Space: Chicago Project Room.\u201d Palmer, Laurie. Dialogue<\/span> May\/June 1997: 12-15.<\/p>\n

\u201cYou’re in my space: Chicago Cultural Center.\u201d Palmer, Laurie. C Magazine February\/April 1999: 34.<\/p>\n

MISC=Other Materials Related to the Projects<\/p>\n

The America Play, and Other Works<\/span>. Parks, Suzan-Lori. New York: Theatre Communications Group , 1995. (TS)<\/p>\n

The Ape and the Sushi Master: Cultural Reflections by a Primatologist<\/span> . de Waal, Frans. New York: Basic Books, 2001. (TS)<\/p>\n

Avant Gardening: Ecological Struggle in the City and the World<\/span> . Wilson, Peter Lamborn, and Bill Weinberg, eds. Brooklyn: Autonomedia, 1999. (Palmer)<\/p>\n

La Bete Humaine<\/span> . Zola, Emile. London: Penguin Books, 1977. (TS)<\/p>\n

The Block Reader in Visual Culture<\/span> . Bird, Jon, et al, eds. New York: Routledge, 1996. (Sholette)<\/p>\n

The Cornel West Reader<\/span> . West, Cornel. New York: Basic Civitas Books, 1999. (TS)<\/p>\n

The Country and the City<\/span> . Williams, Raymond. London: Hogarth Press, 1973. (Sholette)<\/p>\n

Crowds and Power<\/span> . Canetti, Elias. New York City: Viking, 1962. (TS)<\/p>\n

Edward Fella: Letters on America<\/span> . Blackwell, Lewis, et al, eds. New York: Princeton Architectural Press, 2000. (TS)<\/p>\n

Ex-rated<\/span> . Sok, G.W. Amsterdam: Druxat, 1997.<\/p>\n

Flesh Machine: Cyborgs, Designer Babies, and New Eugenic Consciousness<\/span>. Critical Art Ensemble. Brooklyn, NY: Autonomedia, 1998. (Palmer)<\/p>\n

High Art Lite: British Art in the 1990s<\/span> . Stallabrass, Julian. New York: Verso, 1999. (TS)<\/p>\n

Illuminations<\/span> . Benjamin, Walter. Hannah Arendt, ed. New York: Schocken Books, 1985. (Sholette)<\/p>\n

Muffler Men<\/span> . Correll, Timothy Corrigan, and Patrick Arthur Polk. Jackson, MS: University Press of Mississippi, 2000. (TS)<\/p>\n

Negroes with Guns<\/span> . Williams, Robert Franklin. Detroit: Wayne State University Press, 1998. (Palmer)<\/p>\n

On Good Land: The Autobiography of an Urban Farm<\/span>. Ableman, Michael, and Cynthia Wisehart. San Francisco: Chronicle Books, 1998. (Palmer)<\/p>\n

The Practice of Everyday Life<\/span> . de Certeau, Michel. Steven Rendall, trans. Berkeley, CA: University of California Press, 1984. (Sholette)<\/p>\n

Reading Karl Marx<\/span> . Ganahl, Rainer. London: Book Works, 2001.<\/p>\n

Reflections<\/span> . Benjamin, Walter. Hannah Arendt, ed. New York: Schocken Books, 1985. (Sholette)<\/p>\n

Theories and Documents of Contemporary Art: A Sourcebook of Artists\u2019 Writings<\/span> . Stiles, Kristine, and Peter Howard Selz, eds. Berkeley, CA: University of California Press, 1996. (TS)<\/p>\n

To Purge this Land with Blood: A Biography of John Brown<\/span> . Oates, Stephen B. Amherst, MA: University of Massachusetts Press, 1984. (TS)<\/p>\n

Unclassified: A Walker Evans Anthology<\/span> . Rosenheim, Jeff, and Alexis Schwarzenbach, eds. Zurich: Scalo, 2000. (TS)<\/p>\n

Utopia<\/span> . Mayer, Bernadette. New York: United Artists Books, 1984. (Palmer)<\/p>\n

Wanderlust: A History of Walking<\/span> . Solnit, Rebecca. New York: Viking, 2000. (TS)<\/p>\n

Water: The Fate of Our Most Precious Resource<\/span> . de Villers, Marq. New York: Houghton Mifflin, 2000. (TS)<\/p>\n

Working: People talk about what they do all day and how they feel about what they do<\/span> . Terkel, Studs. New York: Avon Books, 1975. (TS)
\nJOURNALS\/BOOKLETS\/LEAFLETS\/EPHEMERA<\/p>\n

Architreasures leaflet, Chicago. See \u00a0www.architreasures.org\/pages\/main.htm\u00a0<\/a><\/p>\n

Bickerdike Redevelopment Corporation 2001 Annual Report, Chicago. See \u00a0www.bickerdike.org\u00a0<\/a><\/p>\n

Building Greener Neighborhoods: A Citizen\u2019s Guide to Community Open Space Planning<\/span>. Samuels, Julie. Chicago: Openlands Project, 1996.<\/p>\n

Chicago Public Art Group Newsletter<\/span>. Chicago: Chicago Public Art Group, Fall 2001.<\/p>\n

CORE (Congress of Racial Equality) leaflet, New York. See \u00a0www.core-online.org\/index.html\u00a0<\/a><\/p>\n

cSPACE cards (formerly The Art of Change), London. See \u00a0www.cspace.org.uk\/index.htm\u00a0<\/a><\/p>\n

Games, Fights, Collaborations, Guide to Water<\/span>. Guerilla Graywater Girls. Oakland, CA: Self-Published, 2001.<\/p>\n

N55 booklets. See \u00a0www.n55.dk\/Index.html\u00a0<\/a>
\nManual for Clean Air Machine, #8
\nManual for Modular Hydroponic Unit, #12
\nSoil Factory, #15
\nIt is an Illusion that We Live in Time and Place, #16
\nManual for Bed Modules, #23
\nManual for n55 Spaceframe, #24
\nLars Bang Larsen og N55 udveksler, #31
\nManual for Land, #32<\/p>\n

NeighborSpace leaflet, Chicago. See \u00a0neighbor-space.org\/main.htm\u00a0<\/a><\/p>\n

Temporary Services booklets, Chicago. See \u00a0www.temporaryservices.org\/booklets.html\u00a0<\/a><\/p>\n

The Baffler<\/span> issues, Chicago. See \u00a0www.thebaffler.com\u00a0<\/a>
\n#10, 1997
\n#11, 1998
\n#14, 2001<\/p>\n

Whitewalls<\/span> issues, Chicago. See http:\/\/www.press.uchicago.edu\/News\/distributed.html #23 (Fall 1989) \u201cRegarding An\/Other\u201d
\n#24 (Winter 1990) \u201cThe Nature of Nature\u201d
\n#26 (Fall 1990) \u201cPetty Crimes for the Common Good\u201d
\n#27 (Winter 1991) \u201cRants and Regrets\u201d
\n#28 (Summer 1991) \u201cIdentity in Self-Definition\u201d
\n#31 (Winter 1992\/1993) \u201cCulture, Identity and Colonialism\u201d
\n#33+34 (1994) \u201cSweat Sixteen\u201d
\n#36 (1995) \u201cLocal Options\u201d
\n#39 (Fall\/Winter 1998) \u201cImpossible Projects\u201d
\n#40 (Spring 1998) \u201cLoose Canon\u201d
\n#41 (Winter 1999) \u201cCrafting History\u201d<\/p>\n

WEB RESOURCES<\/h4>\n

ABC No Rio \u00a0abcnorio.org\u00a0<\/a><\/p>\n

\u201cBut is it Politics?\u201d 1998-1999 project by Sabine Bitter and Helmut Weber \u00a0www.lot.at\/politics\/index.htm\u00a0<\/a><\/p>\n

The Center for Arts Policy at Columbia College Chicago \u00a0artspolicy.colum.edu\u00a0<\/a><\/p>\n

The Cultural Policy Center at the University of Chicago \u00a0culturalpolicy.uchicago.edu\u00a0<\/a><\/p>\n

The Independent Media Center (Indymedia) \u00a0www.indymedia.org\/en\/index.shtml\u00a0<\/a><\/p>\n

Institute for Applied Autonom, \u00a0www.appliedautonomy.com\u00a0<\/a><\/p>\n

Institute for Social Ecology \u00a0www.social-ecology.org\u00a0<\/a><\/p>\n

InterActivist Info Exchange \u00a0slash.autonomedia.org\u00a0 <\/a><\/p>\n

Las Agencias \u00a0www.sindominio.net\/lasagencias\u00a0<\/a><\/p>\n

<nettime> \u00a0www.nettime.org\u00a0<\/a><\/p>\n

Project Row Houses \u00a0www.projectrowhouses.org\u00a0<\/a><\/p>\n

The Community Arts Network \u00a0www.communityarts.net\u00a0<\/a><\/p>\n

The Kitchen \u00a0www.thekitchen.org\u00a0<\/a><\/p>\n

The Mad Housers \u00a0www.madhousers.org\u00a0<\/a><\/p>\n

The Public Square at the Illinois Humanities Council (formerly the Center for Public Intellectuals) \u00a0www.thepublicsquare.org\u00a0<\/a><\/p>\n

Version Festival (Chicago) \u00a0versionfest.org\/version06\/choose.html\u00a0<\/a><\/p>\n

PRISONERS’INVENTIONS READING LIST BOOKS<\/h4>\n

America’s Condemned: Death Row Inmates in Their Own Words<\/span>. Malone, Dan, and Howard Swindle. Kansas City: Andrews McMeel Publishing, 1999.<\/p>\n

The Celling of America: An Inside Look at the U.S. Prison Industry<\/span>. Burton-Rose, Daniel, Dan Pens, and Paul Wright. Monroe, WA: Common Courage Press, 1998.<\/p>\n

The Convict Cookbook<\/span>. Washington State Penitentiary. Walla Walla, WA: JG Narum, 2004.<\/p>\n

Corrections Officer Exam<\/span>. Learning Express. New York: LearningExpress, LLC, 2004.<\/p>\n

Design Guide for Secure Adult Correctional Facilities<\/span>. American Correctional Association. Kingsport ,TN:>\u00a0 Kingsport Press, 1983.<\/p>\n

Donny: Life of a Lifer (A Prisoner’s Odyssey)<\/span>. Johnson, Donald. Ed. Bato Talamentez. Occidental, CA: North Coast Xpress, 2001.<\/p>\n

Downsizing Prisons: How to Reduce Crime and End Mass Incarceration<\/span>. Jacobson, Michael. New York: New York University Press, 2005.<\/p>\n

The Human Cage: A Brief History of Prison Architecture<\/span>. Johnston, Norman. New York: Walker and Company, 1973.<\/p>\n

Improvised Weapons in American Prisons<\/span>. Luger, Jack. Port Townsend, WA: Loompanics Unlimited, 1985.<\/p>\n

Life Sentences: Rage and Survival Behind Bars<\/span>. Rideau, Wilbert and Ron Wikberg. New York: Random House, 1992.<\/p>\n

Lockdown American: Police and Prisons in the Age of Crisis<\/span>. Parenti, Christian. New York: Verso, 1999.<\/p>\n

Newjack: Guarding Sing Sing<\/span>. Conover, Ted. New York: Random House, 2000.<\/p>\n

No More Prisons<\/span>. Wimsatt, William Upski. New York: Soft Skull Press, 1999.<\/p>\n

Prison Nation: The Warehousing of America’s Poor<\/span>. Herivel, Tara and Paul Wright. New York: Routledge, 2003.<\/p>\n

Prisoners’ Inventions<\/span>. Angelo and Temporary Services. Chicago: Whitewalls, 2003.<\/p>\n

Syst\u008fme P: Bricolage, Invention et R\u017dcup\u017dration en Prison<\/span>. R\u017dchard, Catherine. Paris: Editions Alternatives, 2002.<\/p>\n

The Way Things Work<\/span>. Macaulay, David. Boston: Houghton Mifflin, 1988.<\/p>\n

You Got Nothing Coming: Notes From a Prison Fish<\/span>. Lerner, Jimmy A. New York: Broadway Books, 2002.
\nPAMPHLETS + MAGAZINES + FACT SHEETS<\/p>\n

An Answer to Today’s Black Entertainment Media<\/span>. Johnson, Kevin (Rashid). Self-published, 2004.<\/p>\n

The Art of Incarcerated Culinary<\/span>. Turner, Kelly J. Upland, CA: The Kenaly Complement Inc., 2004.<\/p>\n

“Arts Administration Students Explore Prisoner Inventions.” McMillian, Jeffrey. F News<\/span> May 2003: 12.<\/p>\n

“Bighousekeeping.” Angelo (excerpt from Prisoners’ Inventions). Harper’s Magazine<\/span> November 2003: 26-29.<\/p>\n

Colors<\/span>. June\/July 2002. (Prison issue)<\/p>\n

“Con Edisons: How to Make Your Cell Block Feel Like Home.” Playboy<\/span> February 2004.<\/p>\n

Corrections Forum<\/span>.\u00a0 November\/December 2003. (Architectural, Construction and Facility Management Reference issue)<\/p>\n

Fantastic!<\/span> Thompson, Nato, ed. North Adams, MA:\u00a0 Massachusetts Museum of Contemporary Art, 2003.<\/p>\n

Get Rid Of Yourself<\/span>. Temporary Services. Chicago: Temporary Services, 2003.<\/p>\n

“In Print: A Prison Cell is the Mother of Invention.” Bayne, Martha. Chicago Reader<\/span> 20 June 2003.<\/p>\n

Jane<\/span>.\u00a0 November 2003 (short piece on female prisoners and invented makeup).<\/p>\n

Neo-Slavery in the Dirty South: A Look at the Racist Georgia Department of Corrections<\/span>.\u00a0 Scott Jr., James E. Self-published, 2005.<\/p>\n

Prison Town: Paying the Price<\/span>.\u00a0 Gilmore, Craig, and Kevin Pyle. Northampton, MA: Real Cost of Prisons Project, 2005.<\/p>\n

Prisoners of a Hard Life: Women and Their Children<\/span>. Ahrens, Lois, Ellen Miller-Mack, and Susan Willmarth. Northampton, MA: Real Cost of Prisons Project, 2005.<\/p>\n

Prisoners of the War on Drugs<\/span>. Ahrens, Lois, Sabrina Jones, and Ellen Miller-Mack. Northampton, MA: Real Cost of Prisons Project, 2005.<\/p>\n

“Prisoners’ Inventions.” Hixson, Kathryn. Art on Paper<\/span><\/p>\n

Prisoners’ Inventions<\/span>. Temporary Services.\u00a0 Chicago: Temporary Services, 2005 (poster made in conjunction with the Transmediale Festival in Germany).<\/p>\n

Prisoners’ Inventions: Three Dialogues<\/span>. Temporary Services. Chicago: Temporary Services, 2004.<\/p>\n

What’s Left of the Left?: A Critical Question<\/span>. Johnson, Kevin (Rashid). Self-published, 2003.<\/p>\n

INTERNET ARTICLES<\/h4>\n

“Addressing the Intersection of HIV\/AIDS & Prisons.” 2005 Policy Priorities\/Call To Action. 11 February 2005. AIDS Foundation of Chicago. \u00a0aidschicago.org\/advocacy\/2005_priorities_prisons.php\u00a0<\/a><\/p>\n

“Anger Brews at Hooch Crackdown.” Campbell, Duncan.\u00a0 The Guardian<\/span>.\u00a0 4 January 2003. \u00a0www.guardian.co.uk\/print\/0,3858,4576644-110878,00.html\u00a0<\/a><\/p>\n

“Behind Prison Walls.” Vanderbilt, Tom. \u00a0www.stim.com\/Stim-x\/7.1\/Architect\/Architect-07.1.html\u00a0<\/a><\/p>\n

“Building the Colditz Glider.” 14 March 2004.\u00a0 PBS. \u00a0www.pbs.org\/wgbh\/nova\/naziprison\/glid_building.html\u00a0<\/a><\/p>\n

“The Cell and the White Cube.” Schmidt, Jennifer. Big Red & Shiny<\/span>. 15 March 2004.
\n\u00a0www.bigredandshiny.com\/cgi-bin\/frameset.pl?&issue=issue01&section=article&article=SCHMIDT_THE_CELL_BLOCK_131345\u00a0<\/a><\/p>\n

“The Clock Below Has a Very Interesting History.” Christian, Steve. Woodworking Clock Kits and Clock Plans<\/span>. 12 November 2003. The Clock Mechanics. \u00a0www.clockplans.com\/page17.html\u00a0<\/a><\/p>\n

“Everything You Could Ever Want Or Need to know About Prison, Prison Life, and How to Survive (and Thrive) in Prison.” 12 January 2004. Loompanics. \u00a0www.loompanics.com\/prison.html\u00a0<\/a><\/p>\n

“Fangernes opfindelser” Larsen, Lars Bang. Politiken<\/span>.\u00a0 26 October 2003. \u00a0politiken.dk\/VisArtikel.sasp?PageID=291968\u00a0<\/a><\/p>\n

“The Great Escape From Alcatraz: A Brief Narrative on Frank Morris and the Anglin Brothers.” Esslinger, Michael. Alcatraz History<\/span>. 8 May 2005. OceanView Publishing. \u00a0www.alcatrazhistory.com\/alcesc1.htm\u00a0<\/a><\/p>\n

“Ingenuity Helps Prisoners Cope.” Shachtman, Noah. Wired News<\/span>. 4 September 2003. \u00a0www.wired.com\/news\/print\/0,1294,60283,00.html\u00a0<\/a><\/p>\n

“Inmate escapes using toilet-paper gun.” 8 February 2004.\u00a0 CNN. \u00a0www.cnn.com\u00a0<\/a><\/p>\n

“Inmates’ inventions.” Glenn, Joshua.\u00a0 The Boston Globe<\/span>. 7 September 2003. \u00a0www.boston.com\u00a0<\/a><\/p>\n

“Inventing a Life.” Hagen, Susan. Philadelphia City Paper<\/span>.\u00a0 11 April 2004. \u00a0citypaper.net\/articles\/2004-04-22\/art3\/shtml\u00a0<\/a><\/p>\n

“MacGyver.” This American Life<\/span>.\u00a0 15 August 2003. \u00a0www.thisamericanlife.org\/pages\/descriptions\/03\/244.html\u00a0<\/a><\/p>\n

“Make Your Own Pruno and May God have Mercy on Your Soul.” Gillin, Eric. The Black Table<\/span>.\u00a0 24 September 2003.\u00a0 \u00a0www.blacktable.com\u00a0<\/a><\/p>\n

“A Man Escaped (Un Condamn\u017d \u02c6 Mort S’est \u017dchapp\u017d, 1956).” Cummings, Doug and Trond Trondsen. Masters of Cinema<\/span>. 18 May 2004. \u00a0www.mastersofcinema.org\/bresson\/Words\/ManEscapedNewYorker.html\u00a0<\/a><\/p>\n

“Pop Schmear.” Columbus Alive<\/span>.\u00a0 23 October 2003. The Columbus Dispatch<\/span>.
\n\u00a0www.columbusalive.com\/2003\/20031023\/102303\/10230311.html\u00a0<\/a><\/p>\n

“Prison Bitch.” J.B., Steve. CounterPunch<\/span>. 1 August 2003. \u00a0www.counterpunch.org\/steve08012003.html\u00a0<\/a><\/p>\n

“Prison Imperfection.” Clark, J.T. Architecture Week<\/span>.\u00a0 4 August 2004. \u00a0www.architectureweek.com\/2004\/0804\/culture_1-1.html\u00a0<\/a><\/p>\n

“Prisoners’ Inventions.” Bizarre<\/span>.\u00a0 29 October 2005. \u00a0www.bizarremag.com\/mondo_bizarro.php?id=1631\u00a0<\/a><\/p>\n

“‘Prisoners’ Inventions’:\u00a0 An Interview with Temporary Services.” Buckley, Craig. Static Ops<\/span>. 15 March 2004. \u00a0www.static-ops.org\/essay13.htm\u00a0<\/a><\/p>\n

“Prisoners’ Inventions: by Angelo From the Pen.” Hoh, John.\u00a0 BookIdeas. 12 January 2004. Amazon.
\n\u00a0www.bookideas.com\/reviews\/index.cfm?fuseaction=displayReview&id=1738\u00a0<\/a><\/p>\n

“San Francisco Group Staging Prison Design Boycott.” Lubell, Sam. Architectural Record News<\/span>. 2 May 2005. \u00a0archrecord.construction.com\/news\/daily\/archives\/050502boycott.asp\u00a0<\/a><\/p>\n

“A Tecnologia Atres das Grades.” Revista Digital<\/span>. 27 November 2003. P\u2014lo RS Ag\u0090ncia de Desenvolvimento. \u00a0www.revistadigital.com.br\/namidia.asp?CodMateria=1860\u00a0<\/a><\/p>\n

“Women in Prison Fact Sheet.” December 2003. Chicago Legal Advocacy for Incarcerated Mothers (CLAIM).
\n\u00a0www.claim-il.org\/about.html\u00a0<\/a><\/p>\n

“La vogue du \u00d4made in jail.'” L\u017dvy, Alexander.\u00a0 Le Monde<\/span>.\u00a0 4 November 2003.
\n\u00a0www.lemonde.fr\/web\/article\/0,1-0@2-3266,36-339602,0.html\u00a0<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Introductory Reading Material: AGAINST COMPETITION\u00a0by Marc Fischer ART & REALITY by N55 CONCRETE SOCIAL INTERVENTIONS INTERVIEW with Pascale Jeann\u00e8e of the artists’ group WochenKlausur CONSTITUTIVE UTOPIAS: SOUND, PUBLIC SPACE AND URBAN AMBIENCE by Ultra-Red FROM TACTICAL MEDIA TO DIGITAL MULTITUDES, A VIRTUAL WORLD IS POSSIBLE by Lovink and Schneider MAKING ART IN GROUPS, COUPLES AND…<\/p>\n","protected":false},"author":5,"featured_media":0,"parent":12,"menu_order":0,"comment_status":"open","ping_status":"open","template":"","meta":{"footnotes":""},"class_list":["post-2331","page","type-page","status-publish","hentry","odd"],"_links":{"self":[{"href":"https:\/\/temporaryservices.org\/served\/wp-json\/wp\/v2\/pages\/2331","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/temporaryservices.org\/served\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/temporaryservices.org\/served\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/temporaryservices.org\/served\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/temporaryservices.org\/served\/wp-json\/wp\/v2\/comments?post=2331"}],"version-history":[{"count":0,"href":"https:\/\/temporaryservices.org\/served\/wp-json\/wp\/v2\/pages\/2331\/revisions"}],"up":[{"embeddable":true,"href":"https:\/\/temporaryservices.org\/served\/wp-json\/wp\/v2\/pages\/12"}],"wp:attachment":[{"href":"https:\/\/temporaryservices.org\/served\/wp-json\/wp\/v2\/media?parent=2331"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}